But who said a roadblock had to be on TV? A year ago, Ford Motor Co.
(
F
) executives unveiled a roadblock on the Internet to promote their
F-150 truck. On the day of the launch, Ford placed bold banner ads
for 24 hours on the three leading portals -- AOL (
TWX
), MSN (
MSFT
), and Yahoo! (
YHOO
). Some 50 million Web surfers saw Ford's banner. And millions of
them clicked on it, pouring onto Ford's Web site at a rate that
reached 3,000 per second. The company says the traffic led to a 6%
jump in sales over the first three months of the campaign.
Naturally, more Internet roadblocks have followed, most recently
with the Oct. 25 launch of the F-500 sedan. Says Rich Stoddart,
Ford's marketing communications manager: "We've proved we can
leverage the Web for the mass market."
Ford and everyone else. Advertisers are seeing that the top few Web
properties now reach true mass audiences. Each of the three biggest
portals attracts 70% of the Americans online to its properties
monthly, according to comScore Networks, a traffic-tracking
organization. Demand for this prime real estate is so strong that
there isn't enough to go around, and prices to advertise are
soaring. A year ago, media buyers could land discounted space on the
home pages of major portals for between $100,000 and $180,000 per 24
hours, say buyers. Now, the cost is reaching $300,000. Forget about
discounts. If advertisers are lucky enough to land the space, they
often must agree to spend an equal amount elsewhere on the portal.
Facing this traffic jam at the top sites, advertisers are jostling
for spots throughout the Net. "A few years ago, it was kids with
green hair selling ads," says Gary Stein, an analyst at Jupiter
Research. "Now Internet ads are mainstream, and part of every
company's media buy."
Why the change? The Internet is growing up. Broadband connections
now reach more than half of American households, including the
lion's share of the prosperous ones. Although the Internet still
takes in only 4.3% of U.S. advertising revenue, surveys indicate
that it accounts for 14% of America's media time. And that's not
including those who are Web-surfing at work -- a major audience for
advertisers. Smitten by the growing reach and power of the Net,
blue-chip advertisers are stretching far beyond the cramped text ads
on search engines that have turned Google Inc. (
GOOG
) into a global sensation. Now advertisers are packing online ads
with music and color video, just like those on TV. They're looking
to the Web to build brands.
The result is a surge in growth that's extending from Madison Ave.
to the West Coast campuses of Yahoo! and MSN. While the overall ad
industry grows at a respectable 7.7% a year, Internet ads are
galloping ahead at a 28.8% clip. New York consulting firm eMarketer
predicts online advertising will reach $9.3 billion this year --
$5.4 billion of it in brand ads. "It's a great time to be alive in
this industry," enthuses David J. Moore, chief executive of 24/7
Real Media Inc., an ad agency.
For anyone who recalls the soaring expectations that preceded the
Net advertising crash earlier in the decade, even a touch of
euphoria is grounds for serious heebie-jeebies. Last time around,
many of the most enthusiastic advertisers -- the cash-happy dot-coms
themselves -- dropped dead. From 2000 to 2002, Internet advertising
plummeted 25%. But something is decidedly different this time. Since
the bust, the industry has pieced together the technology -- from
video delivery to customer tracking -- to make good on the shining
predictions of the boom. The Net is winning over mainstream
advertisers with its computational precision. It delivers hard,
quantifiable results measured in clicks and sales -- down to the
penny. In the process, it's turning advertising from an art into a
science.
Does this mean the Internet is going to vacuum up the world's
advertising dollars? No, but it'll angle for its fair share. Some of
the Net's market grab will come from easy pickings, such as Yellow
Pages and direct-response mail -- fields where Internet search
delivers unmatched efficiency. Brand advertising, meanwhile, will
probably come straight from the hide of TV, billboards, and print
media. Ford, in line with other auto makers, has moved 10% of its ad
budget online, and the number is on the rise. Joanne Bradford, MSN's
chief media revenue officer, expects other industries to follow
suit, with online accounting for 8% to 12% of the advertising outlay
by decade's end. Within two years, online advertising is projected
to reach $13.8 billion, motoring past the slower-growing magazine
industry, according to Kagan Research LLC in Monterey, Calif.
Tangle of Complexity
The importance of Internet advertising extends far beyond the
numbers. Now that advertisers have their hands on a tool that
measures an ad's effectiveness, they're starting to press other
media for similar accountability. It's a process sure to cause
disruptions. Take TV. For decades, Nielsen Media Research has been
providing reports on how many customers watch a specific program.
But in a nation full of TiVo Inc. (
TIVO
) zappers and channel surfers, how many are actually seeing the ads?
Nielsen is now rolling out technology that measures precise
minute-by-minute data in local markets. And it's also working with
TiVo to survey ad viewership among TiVo users. These steps bring TV
a step closer to Internet-style accountability. But if the results
show that viewers are skipping ads, TV's economics could take a
beating. "It starts to shift the playing field," says Douglas
McCormick, CEO of iVillage Inc. (
IVIL
) and a former cable-TV exec. "Internet [costs per thousand viewers]
are going to start looking a lot more attractive."
In fact, the Net is helping break down walls that traditionally
divide different media. More and more, publishers are delivering
selected customers to advertisers, and reaching customers across a
host of media, including the Net. Instead of appearing in a certain
show or time slot, their ads are coupled with subject areas, such as
health or sports. ABC News, for example, delivers subject-specific
ads to TV, the Net, and cell phones. Advertisers want "to reach
consumers, wherever they are," says Alan Ives, vice-president for
sales at ABC Interactive.
This new world of advertising is bubbling with innovations, many of
them blending advertising with content or other goodies. Weather.com,
for one, urges the public to download a free weather bar that links
up to a host of advertisers, from Scotts, the lawn-care company, to
American Express. And on Nov. 9, Amazon.com and J.P. Morgan Chase (
JPM
) announced a venture to produce short films on the Amazon site.
Customers who use an Amazon Visa card to buy items advertised in the
movies will get a 5% discount.
All of this innovation creates a tangle of complexity -- and
simplifying it represents a growing challenge for the industry.
While ad agencies can snap up 30-second spots on
Monday Night
Football, the Internet offers almost infinite options. First,
advertisers have to pick from a fast-growing number of formats, from
skyscrapers that crawl up a page to rollovers -- ads that expand as
the mouse runs across them. Then they have to figure out on which of
the thousands of commercial sites to run the ad. And they must
decide whether to orchestrate the campaign to hit people with
different ads at work and at home -- or maybe arrange a succession
of ads, so that a customer's first viewing introduces a product, and
the second provides details. "The complexity can be a barrier," says
Yahoo's chief sales officer, Wenda Harris Millard. She says Yahoo
offered 700 different ad forms when she arrived three years ago.
It's down to a fraction of that now, but it remains a lot more
complicated than old-fashioned TV or magazine buys.
Here the big players have an outsize advantage. They can sell
Internet ads as part of a bigger package. CNN, for example, sold
pricey sponsorships for Election Day coverage to companies, such as
Samsung and DHL. The condition? Sponsors had to advertise on TV and
the Web. While CNN's TV coverage was swamped by rival Fox News, the
exposure on the Web page more than made up for it. Over that 24-hour
period, CNN.com bested the competition with a dizzying 650 million
visits.
Already, advertisers are busy linking their Net promotions to
offline campaigns, from newspapers to TV. In the most recent Super
Bowl, for example, Mitsubishi Motors bought a 30-second ad. It
enticed viewers to visit its Web site to see what happened when a
Mitsubishi Galant faced off against a Toyota (
TM
) Camry in a crash test. In the following six hours, some 11 million
people visited the site. Many of them provided their e-mail
addresses, watched the 50-second video, and clicked the tires in the
car company's virtual lot. Such visits are critical, especially for
the auto industry. Why? Studies show that shoppers, punching away at
search engines, spend an average of five hours researching cars
online before setting foot in a showroom.
"Toe in the Water"
It was the success of search-based advertising that breathed life
back into the industry following the dot-com collapse. Led by
Overture Services -- now a unit of Yahoo -- and later by Google, the
search engines delivered a breakthrough innovation. They interpreted
the key words typed in by customers as requests for products and
services. And they auctioned the rights to place text ads alongside
search results to any company or individual that was interested. The
offer has been irresistible: Advertisers paid their bid, be it a
penny or a dollar, only when a customer clicked on their ad. Paid
search grew from a mere cipher in 1999 into a $3.9 billion business,
according to eMarketer. "Search became a way for marketers of all
stripes to dip their toe in the water," says Ted Meisel, president
of Yahoo's Overture Division.
The question is whether the search industry will continue to pace
the growth of Internet advertising. eMarketer predicts that growth
of such search ads in the U.S. could slow from 55% this year to 19%
in 2005. This poses little problem for Yahoo, a powerhouse in both
arenas. But Google risks missing out on growth in brand ads. The
reason? Advertisers and agencies traditionally separate the
direct-marketing teams, which feed into search, from the creative
and brand teams that oversee display ads. For now, Google is
attempting to bridge the gap by developing ads with images and
pictures to accompany search results.
The rush toward display advertising online is similar to the rise of
cable TV a generation ago. Until the early 1980s, advertisers saw
cable mostly as a direct-marketing tool for niche products, from
miraculous vegetable choppers to belly-busting exercise machines,
all of them accompanied by a prominent 1-800 number. But in 1982 an
advertising executive named Ted Bates proposed a so-called 5%
solution. He noted that with half of America's homes cabled, the
industry was reaching the scale of a mass market. Advertisers would
see substantial gains, he predicted, if they shifted just a nickel
from every budgeted dollar to cable from the networks. It paid off.
Cable stormed into brand advertising -- and is positioned to
overtake the broadcast networks within two years, according to
eMarketer.
Now Net publishers and ad agencies are pushing their own 10%
solution. And they have the ammo to make their appeal. Recent case
studies by the industry's trade group, the Interactive Advertising
Bureau, showed that while TV spreads the word, the Net can drive
home the particulars. One case covered Universal Studios' 2002 DVD
release of
ET, the Extraterrestrial. The studio spent 94% of
the budget on TV, nearly 6% on banner ads, and less than 1% on
animated ads that floated at the top of Web pages. The result? While
most viewers learned of the offering on TV, the animated ads
reinforced a key message. Among pure TV viewers, 39.4% learned that
the DVD contained never-before-seen footage. But of those who saw TV
and the animated ad, the number rose to 48.1%. The study's
conclusion: Universal would have fared better by reducing TV by
about a quarter and lifting the animated component to 25%. Universal
declines to comment on the study.
Video is the latest rage in Net advertising. It represents 11% of
online spending, says Jupiter Research. And advertisers are
budgeting for more. Take brokerage TD Waterhouse Group. In addition
to search and banner ads, the company is running 30-second online
videos with
Law & Order's Sam Waterston. This will contribute
to a 42% hike in the company's Internet spending in the next year,
says Senior Vice-President Stuart Rubinstein. "Full-motion video is
the perfect vehicle,"he says.
Tight Squeeze
The biggest trouble with online video is a shortage of slots for it.
While demand grows, much of it is focused on the Net's biggest
sites, the home pages of the major portals, along with their
finance, sports, e-mail, and auto sites. It adds up to perhaps two
dozen pages, all of them run by the giants of the Web. While smaller
targeted sites reach niche audiences, most of the crush for branding
campaigns is for megasites -- and many advertisers get crowded out.
"We called MSN to run some video for Adidas," says Sarah Fay,
president of Carat Interactive Inc., a Boston media buyer. "They
gave us one day in November, and it was on a weekend." The squeeze
is so severe that advertisers in the hottest segments of the market
-- autos, finance, and entertainment -- are gobbling up prime video
slots months in advance. Within a year or two, industry insiders
expect this buying to evolve into an Internet version of the TV
industry's annual up-front sales.
The portals are taking advantage of the hot video market to funnel
advertisers toward thousands of their less-trafficked pages.
Increasingly, they're bundling prime spots into package deals, which
include more obscure placements -- on pages for foreign-language
studies or artisanal cheesemaking. MSN is even offering advertisers
who venture into these digital hinterlands a hand in developing new
and innovative advertisements. MSN's Bradford says varied locations
have different uses. The home page serves a message to 20 million
users a day, while placements in back pages reach niche audiences,
sometimes numbering only in the tens of thousands.
Advertisers have plenty of room for video on their own home pages.
And much of their ad effort, on and offline, is focused on getting
Web surfers to drop by. Many TV watchers these days sit close enough
to a computer to type in a Web address or "Google" a site without
moving from the couch. During golf's U.S. Open in June,
TaylorMade-Adidas Golf ran TV ads promoting its new R7 driver.
Traffic on the site jumped 22% in the hour after each ad, says Jason
Woodmansee, the company's director of global eMarketing. Once
visitors came to the site, they not only clicked through videos
showing the club in action but also located nearby stores and signed
up for e-mails. That way, the company used the Net to turn a broad
TV audience into a vast collection of individual relationships.
But how to reach customers with just the right message?
Increasingly, advertisers are tracking them down. With a technology
called behavioral targeting, a Who's Who of publishers, from
NYTimes.com to BusinessWeek.com, use systems that quietly map the
click path of registered visitors to their site or network. These
programs do not accumulate personal data on the user. But using
digital cookies dropped into each visitor's browser, they focus on
behavior. For example, the system knows which site an anonymous Web
surfer comes from. It also keeps tabs on how much time that reader
spends looking at a particular article, and which ads he or she
clicks on. Instead of asking consumers loads of questions about
themselves, says Eric Christensen, general manager of Belo
Interactive in Dallas, "we can now infer from their behavior on the
site. That has been a big change in the last year."
Publishers follow their customers gingerly, knowing they run the
risk of inciting a privacy backlash. Web surfers, under siege from
spam and torrents of pop-up ads, are primed to fend off bothersome
ads. And previous attempts to track customers have run into legal
tangles. Aggressive consumer profiling by DoubleClick, a once
high-flying Net ad company, sparked a lawsuit four years ago by 10
state attorneys including New York's Eliot Spitzer. DoubleClick,
which set out to build databases combining personal info with
Web-surfing habits, retreated on its plans and settled the lawsuit.
It failed to recover its market leadership, though, and now is up
for sale.
But while DoubleClick fades, scores of companies are storming into
the growing world of online advertising. They range from tech
outfits that create new forms of banners and skyscrapers to
advertising startups that tie together vast networks of publishers,
from fishing sites to political blogs. "Net advertising is only nine
years old, and everybody's just now getting started," says Gurbaksh
Chahal, CEO of BlueLithium, a San Jose (Calif.) advertising company.
Those who manage to climb atop the Internet's advertising wave are
in for a wild ride.
The
Future of Advertising is Here
PR7
From: Inc. Magazine, August 2005 | Page By:
David H. Freedman Illustrations ...
Think of this new breed of advertisement as "smart," in that
these ads know
The Future of Advertising is Here
It's becoming increasingly possible to target "smart
ads" specifically to people who want them. And best of all, you can do
this for a fraction of the price of mass-market.
Andrew Fano is showing off the living room. It's a plush, teaky,
well-appointed affair, but what really catch the eye are several
thin-screen video displays, including a few smaller ones that are
embedded in furniture and picture frames. The displays are slowly
cycling through what appear to be family digital photographs -- an
appealing idea, considering many of us let our thousands of digital
photos sit unwatched on a computer hard drive. "But would you want to
see an ad stuck in there?" asks Fano, indicating one of the digital
slide shows, apparently of a family vacation to a theme park. "No?
Because you just saw one." One of the theme-park photos was a
professional image designed to "enhance your memories" of the park,
explains Fano, a senior researcher at consulting giant Accenture who is
exploring new ways for advertisers to get their messages across. The
tony living room is actually part of Accenture's technology laboratory,
and the displays are an experimental prototype of a service that would
arrange your photos into slide shows in exchange for the right to slip
relevant sponsored pictures into the mix.
Interactive Directory
Featured Services
The world is awash in advertising clutter. For decades marketers have
been spending more and more to try to get their message out -- only to
find their pitches drowned out in a sea of noise generated by countless
other marketers trying to do the same thing. In effect, companies have
been paying big bucks to be ignored. Now, inspired by the Internet's
ability to do a better job of targeting prospects and measuring results,
advertisers are dreaming up new ways to break through the clutter and
connect with potential customers at a lower cost.
The big advances in advertising technology once favored traditional
giants like Procter & Gamble, which could afford to mass-market its
message. The new techniques are affordable to smaller companies,
too.
Though the advertising revolution got started online, some of the new
techniques are already finding their way onto streets and walls and even
into clothing pockets around the world. Perhaps just five years from
now, companies will be able to routinely and inexpensively embark on ad
campaigns that hit exactly the right prospects -- and hardly anyone else
-- with entertaining, hard-to-ignore messages that can follow people via
new high-tech media into their cars, offices, living rooms, and
bedrooms. For companies that master the new techniques, the payoff is
potentially enormous: a big jump in customer mindshare while holding the
line on marketing costs. And whereas the big advances in advertising
technology once favored traditional giants like Procter & Gamble, which
could afford to mass-market its message, the new techniques are
affordable to smaller companies, too. "Over time," says Karen Breen
Vogel, CEO of ClearGauge, one of hundreds of interactive ad agencies
that have sprung up to focus on online advertising, "we can cut the cost
of the advertising in half while maintaining customer response."
Fixed in an archipelago of art galleries
and airy cafes at the periphery of Chicago's North Loop, the offices of
ClearGauge have the hip, slightly subversive look you'd expect of a
boutique advertising agency. Except that where the halls of other
agencies regale visitors with blowups of their all-important creative,
ClearGauge has proudly plopped a wicked-looking bank of servers front
and center against the exposed concrete walls. It's a tip-off to the
agency's sensibilities -- and to a sea change in the advertising
industry.
Advertising has long been a sort of black art with a murky ROI, and
for a simple reason: Clients rarely know for sure who sees their ads,
let alone whether the ads influence anyone. Even though companies spend
a third of a trillion dollars a year on advertising, those ads often end
up being irrelevant to the people who see them. On average, Americans
are subject to some 3,000 essentially random pitches per day. Two-thirds
of people surveyed in a Yankelovich Partners study said they feel
"constantly bombarded" by ads, and 59% said the ads they see have little
or no relevance to them. No wonder so many people dislike and ignore
advertising, and so many business owners feel gun-shy about investing in
serious campaigns.
The Internet has begun to change all that. The ability to measure the
impact of an ad simply by counting how many people click on it, and to
link advertisements to search-engine results, in large part drove
Internet advertising to $9.6 billion in 2004, a 33% jump from 2003,
according to Interactive Advertising Bureau reports. (For a cautionary
tale about counting clicks, see "So Many Clicks, So Few Sales," on page
29.) But the real advantage is going to companies that figure out how to
use these tools to hunt down specific types of prospects and nail them
with the right pitch. "We look for subsegments of Internet users who
care about certain things," explains Breen Vogel. "We find them when
they're online, we intercept their activities, and we start a
relationship with them."
To understand how the Internet and firms like ClearGauge have been
changing advertising from a slippery craft to what might be called
"persuasion engineering," consider the campaign ClearGauge has been
developing on behalf of Mod-Pac, a Buffalo company that manufactures
cartons and handles printing and packaging for more than 5,000
companies. Mod-Pac came to ClearGauge for help in launching a new
24-hour online service specializing in running fast, less expensive
print jobs for businesses. Instead of conducting endless brainstorming
sessions in search of a clever campaign hook, a team led by Breen Vogel
-- a former industrial engineer with experience in supply-chain
management -- attacked the problem the way a government contractor might
set about building a nuclear submarine.
The team started off by breaking Mod-Pac's target market into seven
submarkets, including event planners, ad agencies, and not-for-profit
organizations. Each of these submarkets was further broken down
according to who influenced the key purchase in each category -- in some
cases a secretary can have as much influence on a buying decision as a
CEO, but the two need very different sorts of pitches. In the past, for
example, ClearGauge has gone after doctors' spouses to sell medical
supplies and lawyers to sell commercial financial services. ClearGauge
then enlisted online surveys and focus groups to uncover the hot buttons
for each type of purchase influencer in each submarket. Some decision
makers valued sophistication in their printing company, while others
placed more emphasis on creativity, and still others on low cost.
Different ads were then cooked up for the different targets, so that,
for example, a creative director at an ad agency was targeted with a
pitch that featured a dancing, mischievous lizard mascot, while a CFO at
a nonprofit got a more sober version of the lizard with glasses and a
pitch that emphasized cost-savings. To make sure each pitch ended up in
front of its intended target, ClearGauge studied the click-through
statistics on hundreds of business-oriented websites for banner-ad
placement and paid search engines to have specific ads come up in
response to some 5,000 carefully chosen terms. By obsessively monitoring
how many people click on each of the ads to end up on Mod-Pac's website,
and then noting what each person does at the website, ClearGauge can
further refine the relevance and placement of each of the ads while
weeding out the less effective efforts.
Online advertisers are about to get a new tool that will vastly
increase their ability to place highly relevant ads in front of
prospects. Emerging now are powerful "behavioral targeting" services
that can track what an individual clicks on and looks at across a range
of sites over the course of weeks and months, making it possible to
build a detailed profile of that person's interests, purchases, and
preferences. The companies prepared to do the tracking, including 24/7
Real Media, Blue Lithium, Dotomi, and Claria, don't capture personal
information such as names or e-mail addresses -- only surfing habits --
and even then follow only people who have opted in to the tracking.
But that's enough to let advertisers do a far better job of matching
pitches and prospects. At least 950 out of every 1,000 Internet
automobile ads still land in front of people who aren't in the market
for a car, notes Scott Eagle, chief marketing officer of Claria, based
in Redwood City, Calif. "If you're starting a high-end pet-food company,
you only want to talk to people who have a certain type of pet and are
willing to pay a premium to feed it," he adds. "We can identify those
people. Why do you need to reach anyone else?" In a study, website
visitors were, on average, 14 times more likely to click on an ad when
it matched their profiles, claims Eagle. He says he has already lined up
more than 200 advertisers for his new tracking service and expects to
reach 500 by the end of the year.
Given privacy concerns, will many Internet users opt to participate
in these sorts of services? Actually, they might. Because according to a
2004 survey by the Ponemon Institute, a consultancy that specializes in
Internet privacy issues and has worked with Claria, two-thirds of
Internet users believe better targeted ads would be less annoying, and
45% would share personal information in exchange for that advertising
relevance.
But it's not just the Internet that's poised to become a bastion of
highly targeted advertising. In fact, the trend to interactive, targeted
advertising is starting to break its chains to the computer screen. Even
television, the grande dame of conventional mass marketing, is taking
steps to offer a more focused advertising experience. For starters, A.C.
Nielsen and other companies have been rolling out technology to measure
more accurately who is watching which shows, providing test viewers with
pagers, for example, that can measure TV-watching habits outside their
homes. Experian, a consumer data company in Costa Mesa, Calif., is
cross-referencing this sort of detailed TV-viewer information with vast
troves of other consumer behavior data so that a network can pinpoint
viewers not just by age or income but also by what products they're in
the market for. "If you give people a television program that indexes
well against their preferences, you'll get more mental click-through,"
says William Engel, co-CEO of Experian subsidiary Simmons Market
Research Bureau. Some advertisers are getting even finer-tuned pitches
by negotiating the ability to alter their TV ad slots in response to
changing conditions. Some TV ads for Royal Caribbean Cruise Lines, for
example, have been set to run only when the temperature drops below a
certain point in a given market.
And even bigger changes are in the wings as television starts to
morph into a more Internet-like experience. Cable provider Comcast
offers advertisers in parts of Florida the chance to buy ads that run
only in specific neighborhoods, so that, for example, ads for a
Spanish-language newspaper appear only in heavily Latino communities.
The technology to target cable ads all the way down to specific homes
according to household viewing habits already exists, with deployment
largely awaiting the resolution of privacy concerns. Cable companies are
also experimenting with interactive channels that let viewers enlist
their remote controls to click on banner ads and onscreen buttons. Video
games are getting with the program too. Some are already packed with ads
integrated into the cyberscenery, and a New York company called Massive
has developed a technique for changing those ads to match an individual
player's moves and preferences.
As more networked display screens permeate our homes -- on
appliances, walls, even furniture -- each one will become a potential
medium for tuned-to-your-lifestyle ad services of the sort that
Accenture's Fano and others are dreaming up. Think of this new breed of
advertisement as "smart," in that these ads know, in a sense, to whom
they will be playing and under what circumstances.
Smart ads, it turns out, won't be confined
to the home and office. In three Massachusetts Stop & Shop supermarkets,
an electronic tablet attached to the shopping carts asks for a swipe of
the shopper's loyalty card -- and in return provides a shopping list
that the store's computers have prepared based on the shopper's past
purchases. Oh, and by the way, the tablet also offers targeted
electronic coupons that pop up when the shopper turns down the aisle
with the featured product. "Why offer a discount on your yogurt to
someone who usually buys it anyway?" asks Fano, whose lab helped develop
a similar technology. "You want to pitch someone who's about to buy a
rival brand."
Computer screens are popping up everywhere, and more and more
advertisers are thinking up ways to make sure those screens don't go to
waste. Take elevators, which now often sport displays above the floor
buttons. These screens are becoming prime advertising real estate as
marketers grab the chance to catch businesspeople or affluent tourists
on their way to the street. Targeting elevator ads to the location, time
of day, and audience is not rocket science, notes Larry Harris, who
heads up multicultural marketing at marketing agency Draft New York.
"Bloomingdale's could boost sales 5% if it put up an ad for a one-day
sweater sale in my building at lunchtime," says Harris. "Everyone in the
elevator will see it because they're desperate to not have to look at
anyone else."
Taxis are becoming smart-ad vehicles too. Some New York City cabs
have screens inside, and some taxis in New York and elsewhere have
electronic messaging signs that are tied to GPS location sensors, so
that a cab can pitch a nearby store or restaurant wherever it roams.
Even your own car will get in the game. General Motors has been
experimenting with location-aware sponsored messages tied to its OnStar
communications system -- and all the major auto manufacturers are
looking into ways to hook car-based displays up to the Internet, ads and
all.
Not that drivers of nonwired cars, or even pedestrians, will miss out
on the fun of targeted ads. Digital billboards and posters, which
function essentially as large video screens, are already popping up
alongside roads and sidewalks, adjusting their displays to different
audiences -- a commuter crowd during morning rush hour, moms running
errands midmorning, and young couples on dates in the evening. For even
more precision, Smart Sign Media in Sacramento operates digital highway
billboards that detect the radio stations playing in passing cars and
flash up client ads that best match the profiles of those stations'
listeners. And Mobiltrak in Herndon, Va., places
car-radio-station-identifying sensors in the parking lots of retail
clients so they can tell if people driving into the lots have been
nudged there by their radio ads, allowing them to adjust a radio
campaign to get the most traffic for the least cost.
By rotating ads at the right time through these various media, an
advertiser can create a campaign that hits its best prospects several
times a day in different locations -- and in theory pay less to do it,
since the advertiser won't be paying to put the ad up in front of a mass
audience. "The idea," says David L. Smith, founder and CEO of San
Francisco advertising agency Mediasmith, "is to vertically stack the ad
frequency among different ad vehicles rather than to horizontally stack
it within a single vehicle" -- as with a repeating television ad.
Of course, the ultimate smart-ad tool would enable a marketer to hit
any individual with a low-cost, interactive message any time of day, any
place -- a platform for a campaign that could identify and follow
prospects through the world as if they were continuously online.
Forward-thinking marketers even have a name for this dream medium. They
call it...the mobile phone.
"Mobile-phone marketing today is where Internet advertising was in
1996 -- it's about to take off. There are already more mobile phones
in use worldwide than televisions and computers put together."
Okay, turning your prospects' cell phones into ringing spam machines
is probably not your idea of cultivating goodwill. And it's not likely
to happen. Unlike e-mail, mobile phones aren't readily accessible to
marketers -- mobile phone privacy is zealously guarded by big carriers
like Verizon and Nextel, as well as by law. There's an opening, however,
and smart advertisers are preparing to drive a truck through it.
Provided a consumer clearly opts in -- say, by dialing or text-messaging
a certain number -- carriers are slowly becoming more or less amenable
to letting marketers return a text message, or even an audio or video
file, to that consumer's phone. Mobile phone ads are already big in some
parts of Europe and Asia, and it's just starting to take hold here.
McDonald's and Dunkin' Donuts are among the companies that have beamed
coupons to U.S. cell phones, eliciting coupon-redemption rates as high
as 17%. "Mobile-phone marketing today is where Internet advertising was
in 1996 -- it's about to take off," says Michael Baker, president of
Boston-based mobile-marketing firm Enpocket, which ran the Dunkin'
Donuts campaign. "There are already more mobile phones in use worldwide
than televisions and computers put together."
Throw in location tracking, a capability U.S. mobile phones are
getting right now, and you've got a device that can prompt you with a
coupon for a discount oil change just as you're driving by the lube
shop. Enpocket has already run such a "location aware" mobile-phone
campaign in Singapore on behalf of Intel. And it won't be long before
you can pay for goods and services with a click of a cell-phone button,
too -- something many mobile-phone users in Japan can do today.
While lack of relevance may be the
single biggest shortcoming of conventional advertising, it's not the
only one. Even if an ad ends up in front of potential customers, they
won't necessarily pay attention to it -- especially if it comes up as
part of a stream of other ads. To have a chance of getting past our
mental filters and influencing our decisions, ads have to grab attention
and be compelling. In a way, advertisers have to learn to make their ads
less adlike and more entertainmentlike.
Take television advertisers. They've always had to deal with viewers
running out of the room to grab a snack when the commercials come on,
but now they're facing TiVo and other digital video recorders, whose
owners already fast-forward through 70% of commercials. Meanwhile,
fast-growing video-on-demand services that enable viewers to order up
programs provide another means to go commercial-free. These developments
have pushed marketers to jump into alternative forms of television
advertising, including product placement (Coca-Cola cups in the hands of
American Idol judges), sponsorship deals that get brand names
into the titles of shows (as in College Sports Television Network's
Nike Training Camp show), and "long form" video ads designed to be
entertaining or relevant enough to attract video-on-demand viewers on
their own (as with Canada's all-commercial Advertising on Demand
Network).
On the Internet, too, advertisers are finding more ways to intertwine
marketing messages with entertainment. Online travel agency Orbitz has
managed to entice Web surfers to bask in its marketing messages by
embedding them in online pop-up ads built around simple interactive
sports-themed games like Sink the Putt. Not only that, but players who
like the games often forward links to them to friends and colleagues,
spreading the message at no extra cost to Orbitz. LiveVault, a
Marlborough, Mass., data back-up and recovery provider, got the same
sort of free ride when it produced and released on the Web a short comic
video about backing up data, starring John Cleese. LiveVault CEO Bob
Cramer claims the $500,000 price tag for the video promotion was a
bargain, given the big response. "It ended up all over the Internet," he
gloats.
This sort of viral approach is getting a boost from some
sophisticated technology. A San Francisco company called Pulse has
developed software that can turn any image of a person or animal into a
semi-animated talking head, complete with moving lips and a voice that
delivers any lines typed in by a user -- and the resulting blabby little
cybercreature can then be e-mailed to buddies. Sandwich chain Quizno's,
online greeting-card site Sympatico, and cruise line Royal Caribbean
have all made these online characters the centerpieces of successful
Internet campaigns. At one point a third of all visitors to Royal
Caribbean's website had come because of the characters, according to Dan
Hanrahan, president of Celebrity Cruises, a sister company to Royal
Caribbean. It may seem like a silly gimmick, but there's a powerful draw
to this sort of approach, notes Byron Reeves, director of the Center for
the Study of Language and Information at Stanford University.
"Persuasion is very much a social and emotional exchange," says Reeves.
"An automated face provides some level of that."
That same sort of social interactive playfulness can also be put to
work in advertising away from the computer screen. Accenture has
designed a 10-foot-wide, high-resolution touchscreen display -- the
world's largest -- intended to allow crowds in malls and buildings and
on the street to interact with characters, games, information, and other
images on the screen. Accenture has also integrated "focused sound"
technology into the system, so that appropriate music, dialogue, or
sound effects can be directed at individuals interacting with the
display while passersby hear almost nothing. All of it, of course, would
be mixed in some way with an advertising message.
You don't even really need a screen to get your interactive message
out to the crowds. Reactrix Systems in Redwood City, Calif., offers a
system that projects a colorful image on a sidewalk, wall, piece of
furniture, or anything else, and that tracks the motion and gestures of
people on or near the image to make it interactive. Ten or more people
can stomp on or wave at the several-feet-wide image at once, kicking
around a virtual soccerball or splashing in a virtual pool, all while
ogling a sponsor's logo blended into the image. McDonald's, Sam Goody,
and the MGM Grand have been among the clients, along with movie theater
chains and malls, where the devices routinely attract enthusiastic
crowds. According to Reactrix CEO Mike Ribero, studies have shown that
as many as 86% of the people who interact with the Reactrix image can
recall the sponsor days later, compared with 5% for prime-time
television advertising. "In a world with a lot of advertising clutter,
this sort of thing provides advertisers with a consumer's attention for
an unprecedented amount of time," says Ribero. "Advertising has been
built around reach and frequency, but depth and duration of experience
is going to be the next big metric." What's more, he says, getting an
advertising experience out closer to the stores can have a stronger
influence on buying decisions.
And if you really want to reach out and grab the attention of people
out in the real world, why not actually, well, reach out? Zebra Imaging
in Austin produces large, lifelike holographic images that appear to
float in 3-D in front of a filmlike panel -- no goofy glasses or goggles
needed. People can even walk around the ersatz object to examine it from
different angles. Zebra has created car-show-stopping holograms of
automobiles for Ford to showcase new designs, as well as holograms of
celebrities for promotions. As the technology's cost comes down and
quality improves, says Zebra CEO Robin Curle, these startling images
could eventually be popping out routinely at consumers on the street and
in stores.
Karen Breen Vogel, for one, is hesitant to be among the first to
reach beyond the Internet to tag people in intimate, surprising
ways. "It's the next wave for us," she says. "But right now we're in
investigation mode."
Advertisers may drool over the promise of smart ads, but many are
also wary of invading the public prematurely with clumsy, personalized,
unignorable pitches on billboards and cell phones before anyone has a
chance to get used to the idea. ClearGauge's Breen Vogel, for one, is
hesitant to be among the first to reach beyond the Internet to tag
people in intimate, surprising ways. "It's the next wave for us," she
says. "But right now we're in investigation mode."
Until marketers can read consumers' minds, there will always be
uncertainty about the most effective ways to deliver messages. And mind
reading, at least, is a technology that's still a long, long way off.
Oh, wait -- scratch that. Neuroscientists at the California Institute of
Technology and Baylor College of Medicine are already using high-tech
brain scans to measure people's responses to marketing messages. So stay
tuned.
As if you had a choice.
Sidebar: Hot New Advertising Tools
Fun, targeted, effective. Being ignored is so 20th century
- Accenture has designed a 10-foot-wide touchscreen that lets
crowds in malls or on the street interact independently with
characters, games, and information.
- Imagine a day when you can text-message a discount coupon to a
cell phone user just as she walks past your shop. That day is here.
- With Reactrix Systems' interactive images, 10 or more people can
kick around a virtual soccerball, splash in a virtual pool, or
(below) swirl through a logo.
- In cities like New York, taxi-top messaging signs are tied to
GPS location sensors, so that a cab can pitch nearby stores and
restaurants as it roams.
- In Massachusetts, Stop & Shop is testing a touchscreen that with
a swipe of a loyalty card can remind shoppers of past purchases and
suggest alternatives.
Sidebar: Purveyors of the Brave New Ad World
Bringing you the future, and future customers
| Name |
Location |
Specialty |
|
Claria |
Redwood City, Calif. |
Behavioral targeting service tracks the online habits of
Web surfers and hits them with relevant advertising. |
|
Enpocket |
Boston |
Sends ad messages, coupons, and branded video files to
mobile phones -- in some cases tracking the phone's
location. |
|
Pulse |
San Francisco |
Online tools turn a photo of any person or animal into a
lip-synched talking head for viral ad campaigns. |
|
Zebra Imaging |
Austin |
Produces large promotional holograms that make images of
objects or people stand out in 3-D -- no glasses needed.
|
|
Experian |
Costa Mesa, Calif. |
Collates consumer data to predict which people are
likely to be in the market for particular products. |
|
Reactrix |
Redwood City, Calif. |
A motion-sensitive projector turns any surface into a
crowd-drawing, brandable interactive display. |
|
Massive |
New York City |
Inserts ads via an online connection into video games
while they're being played. Coming is technology that
will adapt the ads to individual players.
|
Magazines Use Online Ads As Selling Point
By Leslie Walker
Thursday, August 26, 2004; Page E01
Vogue magazine launched an unusual Web site this week
that lets people shop by clicking on shoes, lipstick and other
goodies featured in the ads of its annual fall fashion issue.
The site links shoppers to places where they can buy such
luxuries as the Fendi fur cape shown on page 363 -- or just
discover that it costs $26,500.
An advertiser stampede to participate in Vogue's
shop-the-Web experiment produced the fattest issue in the
magazine's 112-year-history -- 832 pages, including 648 filled
with ads. About 480 have "shoppable" counterparts online at
www.shopseptembervogue.com.
"Magazines have always been interactive and transportable,''
said Thomas A. Florio, publisher of Vogue. "What we have done is
make them actionable in real time. That was one thing that was
missing."
Vogue appears to be at the vanguard of a revived effort
by publishers to extend the usefulness of their products online.
The latest experiments are prompted in part by worries over
competition from comparison-shopping sites and Web search
engines such as Google, which have pioneered new forms of
advertising tied to search queries.
A similar point-and-shop experiment rolled onto the Web
last week at
Shopetc.com, a companion site to Hearst's new Shop Etc.
magazine for shop-aholics. But unlike Vogue, which Web-linked
only its advertising, Shop Etc. linked the content of its
articles to help people purchase items mentioned.
Magazines are not the only printed media trying to make
themselves more useful online. A group of newspaper companies
introduced a site last week called
ShopLocal.com, which publishes information about
neighborhood store sales culled from retail ad circulars in
newspapers. Enter your Zip code online and ShopLocal.com will
display a searchable list of stuff on sale at nearby stores. The
site was created by CrossMedia Services Inc. of Chicago, which
is jointly owned by newspaper giants Gannett Co., Knight Ridder
Inc. and Tribune Co.
"Our mission is to help consumers use the Internet for
shopping locally," said CrossMedia Vice President David Hamel.
"Most of us don't actually buy things online. We use the
Internet to do research and then we go to stores to make the
purchase."
ShopLocal may have an interesting mission -- who
wouldn't like a handy list of everything on sale locally? -- but
the site is so cluttered and clumsily designed it is not likely
to draw a big audience. Web users are already accustomed to
making price and product comparisons at sites such as
Shopping.com and PriceGrabber.com. ShopLocal doesn't measure up
to those, offering sketchy descriptions about what's on sale
rather than linking to full details about products.
Hearst's Shopetc.com is slightly more intriguing. The
site takes the magazine's best articles and lets readers click
on featured items to learn more or to purchase them. But the
site has a haphazard feel since not all the print articles are
included online. Worse, its point-and-shop navigational system
is messy, with ugly pink "buy" buttons plastered across each
item for sale, and annoyingly long lists of all the "shoppable"
items on the right side of each photograph.
Of the three sites, Vogue's seems to
work best. It has a clean, simple design. While there are nearly
500 ads online, the site doesn't force people to scroll through
them or enter a page number to find what they are looking for.
Instead, pull-down menus let visitors browse by brand name,
store name or a product category, such as cosmetics or apparel.
Magazines Use Online Ads As Selling Point
I found Vogue's site slightly addictive. Even
though I am no upscale shopper, I clicked on an Adrienne
Vittadini leopard skirt, a diamond-lace Bebe camisole and
pair of Sergio Rossi lizard pumps, then sat mesmerized by
the descriptions and prices that appeared. The $1,030 Rossi
shoes were not available in Washington, the site informed
me, but the $49 Bebe camisole could be found at 11 area
malls. As for the $200 Vittadini skirt, a "buy now" button
invited me to purchase directly from Vittadini's Web site --
an option offered by some but not all advertisers.
All told, Vogue's shopping site contains details on
1,240 products and 780,000 retail outlets where they might
be purchased. Prices range from $1.69 for a bottle of Evian
water to $45,000 for a J. Mendel chinchilla coat.
Powering the site is software from a small Atlanta
firm called Active8media. It uses patented technology for
making digital replicas of print pages clickable online and
giving advertisers a self-service system for editing the Web
versions.
"We take consumers from the point of inspiration to
the point of purchase," proclaimed Lee Davis, chief
executive of Active8media.
Vogue's site is the latest in a series of attempts
-- mostly ill-fated -- to allow advertisers to link their
messages in print with Web sites. Two expensive flops that
launched four years ago required consumers to hook up small
scanners to their computers to read special codes or
watermarks imprinted in magazines and newspapers.
If Vogue's simpler experiment succeeds,
Active8media's technology likely will be welcomed by
publishers eager to find ways to give advertisers more
information about how print ads perform. That, after all, is
part of the appeal of Internet advertising; it typically
tells advertisers which part of their ads draws the most
response from viewers when they click to get information.
Active8media's software collects detailed click-through
data, allowing Alberta Ferretti, for example, to learn
whether more people seemed interested in its green satin
mini-skirt, lapin fur jacket or pink silk chiffon blouse
worn by the model in its Vogue ad. For its part, Vogue has
hired an outside firm to analyze all the data.
"This is designed as a research product for the
industry," Florio said. "We will learn from it and hopefully
roll it out again with the March issue."
Some people might also like to have links online to
the clothes featured in the articles, but Florio said it was
too difficult to secure all the rights from the
photographers and models required to make that happen.
Because it was experimental, Vogue charged advertisers
nothing extra to appear in Shopseptembervogue.com. But if
Vogue decides to make shop-the-ads a regular feature, Florio
said the magazine would eventually collect fees from
advertisers to participate.
Leslie Walker's e-mail address
is
walkerl@washpost.com.